Music Principles for the Skeptical Guitarist, Volume 2 'The Fretboard'
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Music Principles for the Skeptical Guitarist, Volume 2 'The Fretboard'
Table of ContentsReviewing the C Major scale Chord voicings, starting with C Inversions Adding the 6th string Skipping strings Chord tone personalities Other C-A-G-E-D chord form voicings Worksheet for other voicings Back to the G chord form voicings Comparing the C and G voicings My own E, A and D voicings E chord form voicings The movable E chord form A chord form voicings The movable A chord form Using the E- and A-shapes together D chord form voicings Drop D tuning Summarizing the E-, A- and D-shapes Chord shapes...our story so far Complex chord qualities C complex chord qualities Adding the 2nd, 3rd, 6th and 7th degrees Worksheets for G, E, A and D complex chords Weird little exercise Chords with the same quality compared 1-4-5 complex chord progressions The five basic chord shapes C chord in C, A, G, E and D shapes The entire tamale Partial chord shapes The other C-A-G-E-D chords 6th-string versus 5th-string roots Bring out your capo! Capo placement chart Scale shapes / box patterns C scale in C, A, G, E and D shapes C Major scale all over the neck Traveling from pocket to pocket Major scales other than C (finally) Keys of D, Eb, E, F, G, A and Bb Chord qualities other than Major Minor chords Dominant 7th chords Movable barre chords Minor 7th chords Minor 6th chords Minor sus2 and sus4 chords Walking chord progressions Quadrads of the Harmonized Diatonic scale Exercises and explanations Worksheet: Rhythm Changes Movable 2-5-1 progressions Summary of Chord Family quadrads Oddball Quadrads Diminished 7th chords Augmented and Augmented 7th chords Minor-Major 7th chord Chromatic walkdown progressions Quadrad Extensions: 9th, 11th and 13th C, G, E,
