Choreographing Difference: The Body and Identity in

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Choreographing Difference: The Body and Identity in Contemporary Dance (Studies. Engineering Dynamics Series;9)
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The choreographies of Bill T. Jones, Cleveland Ballet Dancing Wheels, Zab Maboungou, David Dorfman, Marie Chouinard, Jawole Willa Jo Zollar, and others, have helped establish dance as a crucial discourse of the 90s. These dancers, Ann Cooper Albright argues, are asking the audience to see the body as a source of cultural identity â€• a physical presence that moves with and through its gendered, racial, and social meanings.

Through her articulate and nuanced analysis of contemporary choreography, Albright shows how the dancing body shifts conventions of representation and provides a critical example of the dialectical relationship between cultures and the bodies that inhabit them. As a dancer, feminist, and philosopher, Albright turns to the material experience of bodies, not just the body as a figure or metaphor, to understand how cultural representation becomes embedded in the body. In arguing for the intelligence of bodies, Choreographing Difference is itself a testimonial, giving voice to some important political, moral, and artistic questions of our time.
Country USA
Brand Wesleyan University Press
Manufacturer Wesleyan University Press
Binding Paperback
UnitCount 1
Format Illustrated
EANs 9780819563217
ReleaseDate 0000-00-00

Country	USA
Brand	Wesleyan University Press
Manufacturer	Wesleyan University Press
Binding	Paperback
UnitCount	1
Format	Illustrated
EANs	9780819563217
ReleaseDate	0000-00-00

Choreographing Difference: The Body and Identity in Contemporary Dance (Studies. Engineering Dynamics Series;9)

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